June has been and gone already! Time is flying by at lightening speed maybe because we have been so busy with work and a London trip- more of that later…
Much of my time has been devoted to promoting “White is the Moon”; this has included a very nerve-wracking telephone/radio interview. A school visit and a book shop signing.
Let me tell you about the school visit first. I was invited to attend a Literary Festival at The Excel Academy in Stoke-on-Trent. Of course I enlisted the help of my husband Tony, a retired advanced skills teacher. We had five one hour sessions with year seven pupils, each session involved an introduction to my books and then a workshop where the children tried their hand at writing and illustrating. In the short time allocated they produced some interesting adaptations inspired by “White is the Moon”. The children were well behaved, imaginative and co-operative. We had some very interesting questions about publishing and illustrating; all in all an enjoyable day. You can see some of the work they produced below. I have to confess by the end of the day I was exhausted!
The shop signing was by invitation of the beautiful and historic Nantwich Bookshop.
This event coincided with a school festival in the town centre so the place was buzzing with visitors. The shop gave me a window display and a table inside where I displayed my books, old and new. They very kindly plied me with cups of tea and toasted teacakes! Like many bookshops nowadays they sell food and drinks, pre-loved and new books and host many events. The day was a success and we sold lots of books and I met many customers, children and book lovers. I hope to return before Christmas; by that time my latest venture should be published. This time an illustrated gift book by a famous writer, more of that soon...
June wasn’t all work, as I mentioned earlier we had a London visit, which was a mixture of cat sitting and sight seeing. We also saw many friends, family members and spent some very special time with our two grandchildren. We did lots of walking as the weather was kind and visited two very different houses.
One was a National Trust property in Chelsea, former home of historian Thomas Carlyle and his wife Jane. I especially enjoyed reading some extracts from Jane’s letters where she writes about the trials of house keeping and hiring servants. The house is still very much a home and has many personal effects. The artist Helen Allingham was a frequent visitor and painted the rooms and their contents some of which are displayed on the walls. She also painted a portrait of Thomas, which you can see, here-
After our visit to the house we spent some time in the lovely enclosed garden and planned our next visit.
The next house was very different, much less a home, more of a place to entertain and impress. Chiswick House is a magnificent neo-Palladian villa. The gardens at Chiswick are said to have been the inspiration for the gardens in New York's Central Park. Our time was limited and the sky began to grow dark, conscious of our long walk home along the river we had to cut our visit short.
We also had a trip to the theatre to see Les Miserables, something I have wanted to do for ages. It was a spectacular performance, Probably the best musical ever!
We made a quick trip to Wells in Somerset to see The Hilliard Society of Miniaturists Annual Exhibition in the Town Hall. If you are in the area it is well worth a visit. Needless to say that the art on exhibition is miniature, a portrait subject being under two inches and all other paintings under four and a half inches by six inches. Don’t worry, magnifying glasses are handed out to visitors.
I had seen some of the work before on a blog belonging to the artist Tracy Hall but you have to see the actual paintings close up to marvel at the artistry and skill which goes into their creation. You will find a link to Tracy’s blog in my sidebar.
Wells is a beautiful cathedral town with medieval architecture, cobbled streets and lovely walks around the Bishop’s Palace and gardens. It is the smallest city in England and lies between the Mendip Hills and the Somerset Levels. The walk around the moat made me think of “The Lady of Shalott”.
We admired the cathedrals beautiful medieval clock and arrived in time to watch the interior display and automaton known as Jack Blandifers, who hits two bells with hammers and two with his heels. The photograph here shows the outer dial and quarter-jacks on the north transept.
Vicar’s Close is said to be “one of the oldest purely residential streets still intact in Europe”, being built in the mid fourteenth century. It is rather like arriving on a film set and so lovely to see a cobbled street with no cars, litter or wheelie bins!
Our time was rather limited, needless to say I returned filled with enthusiasm and ideas and a desire to return to Wells in the not too distant future.
May has been a month of flowers, gardens and Shakespeare. We visited Stratford-upon-Avon to see Henry 1V part one then onto London to see King Lear at The National. The latter is not a play for the queasy, or for those who faint at the sight of blood. I believe such people are referred to as "droppers"! My husband had the tickets bought as birthday presents and it was just coincidence we had something of a Shakespeare fest. Both plays were magnificent and the acting was superb, as you would expect, in particular Simon Russell Beale who played Kind Lear.
Stratford was every bit as beautiful as you would imagine. Elizabethan buildings to explore and gardens to delight. So much to see, museums and houses connected with the bard and his family. I particularly love the knot gardens, they always remind me of embroidery. Books and bookshops everywhere-
We live in a world of computer graphics, television and film and are used to seeing fantastic recreations of the past and yet the theatre still holds such magic. Both productions excelled when in came to scenery, lighting and costumes; these combined with the acting skills of the players and the magic of Shakespeare’s words left a great impression. In the days that followed I found myself relating to the words “Nothing will come of nothing”. Each time I try a new venture there is a voice, which tells me that nothing will ever come of such a thing. If I publish my book nobody will ever buy it, if I paint a new subject nobody will ever like it, the list of self-doubt goes on and yet, if we don’t even try then nothing will surely come from nothing? I know there are many interpretations to that particular saying but that is my understanding of it.
And so, with that in mind, I try my hand yet again at painting in miniature and try not to dwell on the wisdom (or foolery), which persuaded me to self publish my own books.
We have also enjoyed the most wonderful May sunshine and our own little garden has been awash with flowers which self-seeded from last year. The aquilegias in particular have been prolific. When I say “self seeded” that is not entirely true as last year I went around the garden like some crazy woman shaking the dried flower heads from last years crop.
I should start this post by saying how deeply touched I was by all your lovely messages of support and kind comments following the death of our beloved dog.
I had not prepared myself for the feeling of loss and desolation his departure has caused. Those of you who have formed a bond with a pet will know how different life is without them.
Enough, or we shall all be in tears!
There is much to celebrate, Easter brought family visits made extra special this year by the addition of our darling grand-daughter Edie Rose.
Spring has sprung here in Cheshire and the garden is bursting with life and colour.
My journey into the world of hand made books continues, this time Secret Belgian Binding was the subject of our latest workshop with Alan Fitch from The Farthing Press. Alan also runs courses from his bindery in Powys with accommodation provided, a lovely way to combine a holiday with learning.
Last but not least, my book samples for “White is the Moon” finally arrived. I was so anxious about them but I am happy to say that they have surpassed my expectations. This is a title that I originally illustrated when our boys were little. It was published by Blackie and Son Ltd in the UK and by Macmillan in the USA. Gradually it went out of print and we decided to publish it ourselves as an Acornmoon Books edition. This may prove to be foolhardy given the lack of bookshops and the increased demand for e-books but we are being cautiously optimistic. I have been busy making an on-line shop, which you can see in my sidebar.
In addition to my latest book, I have found a few boxes of older out of print titles. All of these are in an unread, untouched condition. Some have become collectable and can be seen on other book sites for a vast array of prices, I am pleased to say that I have kept to their original price and can offer some real bargains until my stocks run out.
If anyone is interested in these children’s picture books or babies board books I am happy to sign them and add a dedication. You can see what is on offer by following this link. All of the books will be posted from the UK by Royal Airmail, and I am happy to post to any far-flung corner of the globe!
Little Lamb who made thee
Dost thou know who made thee
Gave thee life & bid thee feed.
By the stream & o'er the mead;
Gave thee clothing of delight,
Softest clothing wooly bright;
Gave thee such a tender voice,
Making all the vales rejoice!
Little Lamb who made thee
Dost thou know who made thee
Little Lamb I'll tell thee,
Little Lamb I'll tell thee!
He is called by thy name,
For he calls himself a Lamb:
He is meek & he is mild,
He became a little child:
I a child & thou a lamb,
We are called by his name.
Little Lamb God bless thee.
Little Lamb God bless thee.
For the last four Wednesdays I have been taking part in a Woodcut Printing Class at The Hotbed Press in Salford/Manchester. Our lovely course tutor was Oliver Flude who has a website here-
Oliver inspired us by his skill and enthusiasm for his craft and showed us some of his own prints together with the blocks he had used.
Previously I have tried my hand at wood engraving where the image is engraved onto the end grain of a piece of hardwood. In woodcut printing the long-grain is used, this is very different and has a charm all of its own. Unlike wood engraving, this method of printing is capable of showing some of the character of the wood. The wood is softer and the grain more a feature in the final print.
Over the course we had four three-hour sessions, to learn the basics. All our efforts had to be concentrated into creating an image in a short space of time. This meant that a bold, energetic and free style took over from my usual tightly controlled style. This was both liberating and scary in equal measures.
We had the luxury of printing on a beautiful old Columbian Press, the hours flew by and everyone had an enjoyable and productive time.
In the first week we got to try out various tools and learn the kind of marks they made. The wood we used was a Japanese plywood which was easy to cut into along the grain, not so easy cross grain. We all managed to produce a one colour print- here is my first effort.
In week two we introduced colour, using a reduction technique. My print was a disaster and went into the bin. However, they say you learn by your mistakes.
On the third week we used a combination of techniques including paper stencils.
On the final week we pulled everything together and produced our final images.
My penguin was a reduction print using a gradation of blue into white and then a second printing of black on top.(see top).
At the end of four weeks we were all sad to say farewell, everyone enjoyed taking part and I think we will all use our newfound skills in the future.
If anyone is interested I have put some of my prints in my Etsy shop- https://www.etsy.com/uk/shop/acornmoon
I am an illustrator and designer of textiles and surface pattern. This blog is a place to share inspiration and ideas. I have a special interest in printmaking and book arts, including illustration, decoration and binding.